The design sensibilities I developed as a scenographer led me to investigate the relationship between human and non-human materialities, drawing on theories of vibrant matter (Bennett 2010) and meshworks (Ingold 2010). Having been involved with an organisation who help disabled people access the countryside, I became interested in the way that particular mobility affects the perception of environment. My final MA research project used field work to explore the affective experience of wheelchair users in countryside and used scenographic methods to analyse the findings.